So I'm going to give a short class,
what is known a short class,
it's an old idea.
They used to call it lectio brevis,
short class.
I just want to give you a little introduction
to what the course will be like and an introduction also about the context of
within which Dante thrives, dante grows, and writes this poem of his.
A poem, that as you know, is called the Divine Comedy.
It's not really the title Dante gives to the poem.
Dante called the poem simply "Comedy."
"Divine" is the adjective, the epithet
that the readers in--through centuries have assigned to it,
to indicate both what struck them
as this sublime quality of this text, and also the content.
It deals, after all, the fundamental theme of the poem
is the encounter of a pilgrim,
an ordinary man, who
you'll see, lived in the thirteenth century or the fourteenth century
and who imagines this journey to God.
So it's divine
also because of this particular content.
It's the
it's a journey,
it's a quest from nothing less than seeing God face to face
and come back to talk about it.
Not just seeing God and be overwhelmed by it and dazzled by it,
as probably is the
what do we know
and it's most of the the tradition of visionary literature,
this is really about
writing the poem about this fundamental experience.
So we'll be reading this poem,
and if I had to give you something of a genre it's very difficult to speak of genres.
Is it an epic? Is it an autobiography? Is it a romance?
I think it's all of the things above.
It's all of these things
and probably the best way to talk about it is that it is an encyclopedia.
What does the word mean?
The word means a circle of knowledge.
It's an old classical idea,
by an architect by the name of Vitruvius
wrote actually and talked about encyclopedia.
It really means,
this as I said,
the circle of knowledge, in the sense
that to know you have to have a point of departure.
and then they take you right back to where you started.
The beginning and the end in a liberal education will have to coincide.
You are going to find out
things that now you will see with a different view, from a different standpoint,
a different perspective.
Dante writes an encyclopedia,
which also means
an ordering of the tradition of exactly the so-called liberal arts.
What are the liberal arts?
Why are they called liberal?
They are called liberal to distinguish them from the
so-called mechanical arts.
This is an old medieval distinction
and they're called liberal also because
the aim of these arts is to free us.
It's as if knowledge has in itself
the power to give us some kind of freedom.
from various sorts of tyranny.
The tyranny of action,
above all,
the tyranny of having to do things with your hands
that will distract you from the great aims
and great aims are theory, contemplation, and thinking.
The liberal arts, what are these liberal arts?
The liberal arts are so called the arts of words;
they distinguish them between arts of words,
and arts of number.
The arts of words are the grammar, fundamental,
which encompasses also poetry and history.
they are dialectics and rhetoric.
Rhetoric, the art of persuasion;
the art of deciding what the truth of a statement may be.
It's really the most difficult of these arts.
Then there are the arts of numbers.
The arts of numbers are arithmetic, geometry, music;
it's based on rhythm, on number, and then astronomy.
The aim of these liberal arts would be ethics;
it would be also theology, metaphysics and then theology.
This is the way the Divine Comedy is actually structured
The implication of calling the Divine Comedy an encyclopedia
is that clearly it deals with education.
provided in a very disconnected way,
according to the laws of the alphabet.
educate the readers.
So, Dante actually shows,
in this sense it's an autobiography.
The poem is an autobiography;
with politics,
that have to do with questions that Dante raises all the time.
What is justice in the world?
How do the claims of justice
go along with the realities of passions and conflicting,
the collision of conflicting desires, conflicting parties and so on?
But also, we'll be talking about ethics, agency.
Am I--do I know things and because I know things I'm all right,
because my will is really weak?
It's an old idea,
the weakness of the will,
and if I know what I should be doing
we all know we should be just.
That doesn't really make us just, right?
We have--will be a kind of frailty,
a vulnerability to wanting to do things that we normally shouldn't be doing.
We even know that we shouldn't do them.
We talk of--Dante raises some of these issues in a very lucid,
and I think, a most probing manner possible.
Then he goes on writing this poem,
which is as you know, written about going into hell literally,
and trying to rectify the belief that you can really get out of it
and rearrange the old-- your vision about the world and about yourself.
Because every time you talk about ethics
and every time you talk about politics,
the real question is who am I?
and what am I doing
in order to come to some kind of understanding of the world around myself.
We'll be talking about some of these issues in detail
and reading in a very unassuming way without any
Let me go to the other part,
which is really probably the most concrete part.
This is--I gave you the general scheme of the lectures.
the concrete context of Dante's life,
the contour of his life.
Who is this man?
seven centuries or more after he wrote it, is still read,
that a human being can make to a culture.
Well he was born,
as you know, probably
in 1265 in a city called Florence.
A city that,
by the time Dante was of school age,
had 70,000 people.
Seven thousand
these are little details to impress you about
how crucial, how important that city was;
7,000 boys and girls who go to school;
public schools were available to them.
Dante was one of these people.
He was born in a family that was somehow he claimed nobility
and what not, but actually was an impoverished family
and he was even slightly embarrassed by the activities of his own father.
He never mentions him,
but we do know by poems that
others had written against him, attacking him and attacking his genealogy,
accusing the father of loan--being involved in the loan
lending money at a high, very high interest and so on.
When he--Dante--two events happened to him,
private events happened to him, when he was a child.
The first is, by the time he was eight years old,
his mother died.
The second, a little bit connected with it,
is the fact that when he was nine years old,
he will tell us later,
he met a young woman.
He doesn't even know what her name is,
that's the fiction of his own works,
he knew because she actually was a neighbor,
he calls her Beatrice.
The way he goes on transferring all the love that he felt or wanted
from his mother onto this young woman
we don't know,
psychoanalytical speculations about his life.
The facts we don't know,
however, he does talk about her as if she were a mother to him.
He describes her in the poem in very maternal language
and a language of great generosity; the generosity of love actually.
These are the two events
then he goes to school in Florence.
The school--of all his teachers
and will remember forever,
a man by the name of Brunetto latini,
we'll see him later in Hell.
I like--a lot of students they all want to send their teacher to hell,
Who was this man?
Why was he so important for Dante?
if you happen to go to Florence
are everywhere on the walls of the city,
he was one of those who civilized the city of Florence.
What was he doing?
What did he do actually?
Well he was a rhetorician first of all,
in the mode of ciceronian--the Ciceronian tradition.
that politics and rhetoric go hand in hand.
That rhetoric is the art of persuasion
within the parliament,
within the streets of the city,
where large decisions can be made and can be reached.
This was the essential work of Brunetto Latini,
Dante styles himself after Brunetto Latini.
Because Brunetto Latini was not only a great teacher,
that we have by Cicero on rhetorical works of Cicero.
speech, problems of argument.
But he also was a traveler.
He went to
we do know that he went to Toledo,
the city of Toledo in Spain.
He did bring in translations of Aweroistic texts.
I will explain all these terms as we go on.
Dante admires him especially
because he stands for the sort of teacher who gets involved in political
the political realities of Florence.
Dante wants to follow him in turn.
Eventually, he would meet Beatrice again,
writes a great poem inspired by her,
which we'll be looking at next time called the Vita nuova.
The teacher
his teacher Brunetto Latini will die and
Dante decides to enter
we are already in 1290,
decides to enter political life himself.
It was his biggest mistake.
It was his biggest mistake because
political life in florence really meant
being in the throes of harsh partisan battles
between the so-called Guelfs and Ghibellines.
The issues are not so clear-cut.
The Guelfs supposedly
are those who really believe in the loyalty to the Church.
The others, the Ghibellines,
also believe in the loyalty to the empire.
The two institutions of the time,
things are not that clear-cut as that
as sharply separable as that.
We'll talk about some of the details about this.
But Dante becomes an ambassador for the city of Florence,
the way Brunetto had become an ambassador for the city of florence
and he goes a little bit everywhere.
He's sent to the Pope in the year 1302;
he's sent to the Pope on an embassy
and he never makes it back to Florence.
Machinations had taken place
so that he would be banned from the city.
Not only banned from the city,
his property is confiscated
and there is the threat on him,
that should he return and should he get caught
he would actually be put to death.
The year 1302 is the beginning of Dante's new education
and new experience.
He goes into exile,
an exile which at the time was thought to be,
nothing less than the fiercest condemnation on anybody.
Because we are
that's the medieval idea,
we are
the value of each and every one of us
depends on the position that we occupy
within the city.
To be without a city,
not be a holder of a place within the city,
means that one is actually nothing.
So he goes literally
begging from one city to another.
Maybe he even traveled as far as Paris,
we don't know that,
but exile
though it turned out to be a harsh punishment,
turned out to be also nothing less than a blessing,
a blessing in disguise
because it removed Dante from any sense of
loyalty to partisan viewpoints.
He was no longer to be a Guelf or a Ghibelline,
he was no longer caught in these internecine wars,
he now became nothing less than one who could
occupy a transcendent viewpoint.
This is what the story of the Divine Comedy is.
How does one go from perceiving the world
that armed oneself in this partial, provisional, fragmentary manner,
how can one be pulling it together?
The Divine Comedy is the story of
exile being the removal of oneself from the city;
in order to best see what the problems of cities can be.
He ended his life in the year 1321
in a city called Ravenna
where he was buried.
So that's he
the way he wrote the poem was in exile.
The poem came out of his experience of exile.
He begins his life as an exile,
but I think a philosophical text called The Banquet,
in the tradition of
well the title of the Symposium on ethics.
He abandons his project,
starts a project on language
trying to find a unified,
a possibility of unifying all the languages of Italy,
writes a political text
about the necessity of unifying the world with this empire,the monarch,
finishes that,
but the real process of unification
of all his experiences
really is with the Divine Comedy.
And we'll be reading that in a couple of days.
That's all I have to say to you.
Let me see if there are some questions
and then I'll try to answer those.
Yes?
...for the final paper?
What is the question again?
When is the final paper due?
The final paper is due within two weeks of the end of classes.
The question was when is the final paper due?
How important is the knowledge of the Italian language?
How important is the knowledge of Italian language?
The course is in English.
We are reading the translation with the original text by the side.
If you can read it in Italian good.
If you want to write the paper in Italian you are welcome to do so,
but the course is going to be
we are treating the poem as if it were an English poem.
After all, as someone says,
Dante's an American poet,
maybe we could explore that too.
Other questions?
Okay, we'll see you on Tuesday.